Article

September 22, 2026

The redline review: critiquing work without killing it

Our weekly review is borrowed from engineering drawings: mark up the work, never the person. Here’s the format we use and why it works.

September 22, 2026

The redline review: critiquing work without killing it

Our weekly review is borrowed from engineering drawings: mark up the work, never the person. Here’s the format we use and why it works.

Article

September 22, 2026

The redline review: critiquing work without killing it

Our weekly review is borrowed from engineering drawings: mark up the work, never the person. Here’s the format we use and why it works.

Every Thursday, the whole studio reviews work in progress. The format is simple and strict: the work is shown, the author states what kind of feedback they want, and reviewers mark it up — literally, in red.

Mark up the work, not the person

The redline metaphor matters. An annotation on a drawing is specific, located and actionable. ‘This feels off’ isn’t allowed; ‘the hierarchy between these two numbers is unclear’ is.

Three rules we keep

Name the goal before the critique. Point to a place on the screen. Offer one alternative, not ten. These rules keep reviews short and make them useful to the person whose work is on the wall.

Why it scales

Because the format is written down, new team members and clients can join a review on their first day and contribute something useful.

Tagged

Critique, Rituals

Written by

Mara Okafor

Co-founder, Design Director

Mara leads design at Redline. Before co-founding the studio she ran product design for a fintech platform used by two million people.

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